Slumdog Millionaire

I watched Slumdog Millionaire in mid-November and I’ve had the fortitude to not write about it till mid-Feb.

And now I cave, a few hours before the Oscars. In the interests of full disclosure, here’s what I thought about it -

Reaction after the movie

Reaction after the movie

I loved it. And I still love it. The movie captured me. It made me laugh, it made me cry. It made me care about the characters.

I saw it before the hype cycle started. And I reacted before the criticism cycle started. But since the film got to India, I’ve wondered at the negative reaction. All the criticism about poverty porn. Sure it shows the girtty parts of Bombay. So? Apparently citizens of Bombay feel it doesn’t show the beauty of the city, all the other parts that Bombay has.

If the worry is that the movie will give the wrong impression to people who don’t know India, get over it. First, the movie did show high-rise buildings, well-equipped call centers and posh mansions. Second, no one really thinks that Bombay is exactly what is shown in the movie. And third, for the small group of numbnuts to get all their information from a narrative film, do you really care what such idiots think of your country?

Now then, is it a filmmaker’s duty to show every part of every city? To show every strata of every country a film is made in?

What if a filmmaker came in and made a movie about the crème de la crème of Bombay – South Bombay society. What would the reaction be? Hmm… let’s see… It would be that the filmmaker is showing one small section of Bombay. That Bombay is not filled with people who spend more on their handbags than most people spend on rent. That houses are not usually adorned by Gaitonde’s and Raza’s. That the middle class uses CST to commute and not just BMWs and Maybachs. That Dharavi exists in the heart of the city. The critics would talk about how all this India Shining stuff is crap and we have tons of poor people who suffer on a daily basis.

Yep, that’s right – that’s what they’d say. So then, what if a filmmaker came and made a story based in Dharavi…

You see the point? You can’t win either way.

Why on earth should any filmmaker be burdened with representing a city or a country? He’s not making a documentary. There’s a story to be told. It involves a sliver of a view of a city. From the point of view of one ficititious life. The filmmaker’s job is to tell that story to the best of his/her ability. And that’s exactly what Danny Boyle did. And I for one, loved the result.

I’m rooting for it to sweep at the Oscars, but in particular for the Best Song and Best Original Score categories, for my fellow Madrasi, A R Rahman’s brilliant music and my favorite, Jai Ho!!

Congratulations, AR Rahman!


YouTube – AR Rahman wins Golden Globe

  • Recent Comments

  • I also blog at




Quick Reviews

Two In The Wave  ★★★½☆

thumbnail

Definitely go see this movie if you are in any way connected to film. It will inspire any writer/director – incredible how much these men achieved at such a young age and how they changed the course of our world. But be aware that it is merely a taste of things, not a fulfilling meal.

Battleship Potemkin  ★★★½☆

thumbnail

Watch this film for the Odessa steps sequence – which is stunning, disturbing and consuming. Watch it for the camera placement and how he builds tension. A must-see for film students it is the first real use of montage in film making.

How to steal a million  ★★★★½

thumbnail

This is a brilliant, witty, feel-good movie that’s deftly directed. I try to watch this movie once each year to laugh and sigh and smile. Like reading an old, familiar, happy book, this movie brings joy, peace and comfort. Audrey Hepburn is at her charming, gamine best. Peter O’Toole is his suave, dashing, debonair self. And the whole movie is just a pure delight to watch.

View All Quick Reviews..

Creative Commons License